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April 05 2016


Music Production - The amount of Layers is Too Much?

In terms of layering tracks and beats, often it can be quite tough to know when you stop. We can keep layering and dumping more on top of the same tracks until we're satisfied, but does it sound okay to everybody? In this article we're basically going to discuss the best way to know when enough is plenty.

To start with, the amount of layers and instruments needed can be deduced down to this: when you have gotten your point across, it is probably a good time to avoid. And this is wise talk. A famous mixing engineer once said: folks who wants listen to it, it shouldn't be in the mix. And I think we ought to really live and eat this saying. One more thing I regularly tell clients is: when it adds nothing unique to the song, should it really should be in there? The weakest component of a track is the track. This means that the worst thing you add could bring the entire thing down unless it's absolutely magnificent sonically and emotionally.

Simple and easy plain music can be be extremely attractive. In addition, it pushes you to make better music. It pushes you to treat each track as it was the only real track within the song. Hell, maybe it really is! That ought to be your mindset.

At the conclusion of your day, however big you wish to you could make your track is up to you. Always tune in to your audience, though, you will want feedback and search it over closely and with no anger should it be negative. Simply take it in and consider the points made. When you get outright positive feedback, then you already know you are going from the right direction.

Some instruments stack better than others, too. Let's take the piano for instance. You'd probably in no case wish to stack 2 pianos playing precisely the same notes, as well as playing different notes, it's going to difficult to stack these harmonically. When they sound the same, it's going to be quite challenging.

However, some artists have experimented with having two pianos playing simultaneously; they only make certain they've different character and so are distinguishable. If you're planning to attempt this, apply some reverb to at least one piano to get the far-away and close-up effect. The listener will hear single within the distance and another very close. Making it more realistic, apply about 5% of the reverb on the close piano and pick a hall patch. On your audience it is going to could be seen as both pianos will be in exactly the same environment.

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